Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

#1 New York Times BestsellerIn Furiously Happy, a humor memoir tinged with just enough tragedy and pathos to make it worthwhile, Jenny Lawson examines her own experience with severe depression and a host of other conditions, and explains how it has led her to live life to the fullest:"I've often thought that people with severe depression have developed such a well for experiencing extreme emotion that they might be able to experience extreme joy in a way that ‘normal people' also might never understand. And that's what Furiously Happy is all about."Jenny’s readings are standing room only, with fans lining up to have Jenny sign their bottles of Xanax or Prozac as often as they are to have her sign their books. Furiously Happy appeals to Jenny's core fan base but also transcends it. There are so many people out there struggling with depression and mental illness, either themselves or someone in their family—and in Furiously Happy they will find a member of their tribe offering up an uplifting message (via a taxidermied roadkill raccoon). Let's Pretend This Never Happened ostensibly was about embracing your own weirdness, but deep down it was about family. Furiously Happy is about depression and mental illness, but deep down it's about joy—and who doesn't want a bit more of that?

Robert Neville is the last living man on Earth... but he is not alone. Every other man, woman and child on the planet has succumbed to the vampire plague, and they are hungry for Neville's blood.By day he is the hunter, stalking the undead through the ruins of civilisation. By night, he barricades himself in his home and prays for the dawn.How long can one man survive like this?

Stiff is an oddly compelling, often hilarious exploration of the strange lives of our bodies postmortem. For two thousand years, cadavers—some willingly, some unwittingly—have been involved in science's boldest strides and weirdest undertakings. In this fascinating account, Mary Roach visits the good deeds of cadavers over the centuries and tells the engrossing story of our bodies when we are no longer with them.

For fans of Tina Fey and David Sedaris—Internet star Jenny Lawson, aka The Bloggess, makes her literary debut.   Jenny Lawson realized that the most mortifying moments of our lives—the ones we’d like to pretend never happened—are in fact the ones that define us. In the #1 New York Times bestseller, Let’s Pretend This Never Happened, Lawson takes readers on a hilarious journey recalling her bizarre upbringing in rural Texas, her devastatingly awkward high school years, and her relationship with her long-suffering husband, Victor. Chapters include: “Stanley the Magical, Talking Squirrel”; “A Series of Angry Post-It Notes to My Husband”; “My Vagina Is Fine. Thanks for Asking”; “And Then I Snuck a Dead Cuban Alligator on an Airplane.” Pictures with captions (no one would believe these things without proof) accompany the text.

An unflinching, darkly funny, and deeply moving story of a boy, his seriously ill mother, and an unexpected monstrous visitor. At seven minutes past midnight, thirteen-year-old Conor wakes to find a monster outside his bedroom window. But it isn't the monster Conor's been expecting - he's been expecting the one from his nightmare, the nightmare he's had nearly every night since his mother started her treatments. The monster in his backyard is different. It's ancient. And wild. And it wants something from Conor. Something terrible and dangerous. It wants the truth.From the final idea of award-winning author Siobhan Dowd - whose premature death from cancer prevented her from writing it herself - Patrick Ness has spun a haunting and darkly funny novel of mischief, loss, and monsters both real and imagined.

A guy walks into a bar car and...From here the story could take many turns. When this guy is David Sedaris, the possibilities are endless, but the result is always the same: he will both delight you with twists of humor and intelligence and leave you deeply moved. Sedaris remembers his father's dinnertime attire (shirtsleeves and underpants), his first colonoscopy (remarkably pleasant), and the time he considered buying the skeleton of a murdered Pygmy. With Let's Explore Diabetes with Owls, David Sedaris shows once again why his work has been called "hilarious, elegant, and surprisingly moving" (Washington Post).

This is a book I wrote. Because I wrote it, I had to figure out what to put on the back cover to explain what it is. I tried to write a long, third-person summary that would imply how great the book is and also sound vaguely authoritative--like maybe someone who isn’t me wrote it--but I soon discovered that I’m not sneaky enough to pull it off convincingly. So I decided to just make a list of things that are in the book:PicturesWordsStories about things that happened to meStories about things that happened to other people because of meEight billion dollars*Stories about dogsThe secret to eternal happiness**These are lies. Perhaps I have underestimated my sneakiness!

Psychiatrist Viktor Frankl's memoir has riveted generations of readers with its descriptions of life in Nazi death camps and its lessons for spiritual survival. Based on his own experience and the stories of his patients, Frankl argues that we cannot avoid suffering but we can choose how to cope with it, find meaning in it, and move forward with renewed purpose. At the heart of his theory, known as logotherapy, is a conviction that the primary human drive is not pleasure but the pursuit of what we find meaningful. Man's Search for Meaning has become one of the most influential books in America; it continues to inspire us all to find significance in the very act of living.

I read this book and thought This is a good book.I read this book and thought I've learned from this book.I read this book and thought Kit Lasch is the bomb.I read this book and thought Man can be as slippery as Saturday's soap.I read this book and thought Man can be as silly as Bugsy Malone.I read this book and thought This is a serious book, with serious thoughts, and serious insights, and here I am chewing gum and popping bubbles.I read this book and thought I really like this book. It's aces.I read this book and thought This book mirrors a society a mile wide and an inch deep.I read this book and thought My mirror shows splintered eyes haunted by failure.I read this book and thought This looks to be another let's see year for the Nucks.I read this book and thought Thanks to —————, I haven't had a decent dump in six goddamn years.I read this book and thought Man is like me, severely constipated.I read this book and thought And when it comes out, it's hard and it hurts.I read this book and thought Why can't I accept finitude?I read this book and thought Ol' Kit fucking nailed it. He fucking nailed me.I read this book and thought Why does everybody talk about me?I read this book and thought And if they aren't, why?I read this book and thought Are my lungs expelling septic stink?I read this book and thought We've seen better days.I read this book and thought Better days can still be had.I read this book and thought Salad days and tart vinaigrette.I read this book and thought My daddy didn't cry, so neither do I.I read this book and thought Not even when he beat me.I read this book and thought I'm lying, he never actually beat me.I read this book and thought But if I was hypnotized, I might think that he did.I read this book and thought I've read most of Kit Lasch's books. They are smart but gloomy, tempestuous like my stomach.I read this book and thought My stomach after Harvey's at the airport.I read this book and thought I loved this book. Does the book love me?I read this book and thought Good stuff, Kit. Merci beaucoup.I read this book and thought In Vancouver the sun can hide itself away for months on end.I read this book and thought Despite this, the suicide rate in Vancouver hovers around the national mean.I read this book and thought I haven't yet erased my map.I read this book and thought I once saw a woman jump to her death.I read this book and thought Cracked me inside like a beat-up eggshell.I read this book and thought To a chicken, an eggbeater is a rooster accused of child abuse.I read this book and thought With that and Woody Woodpickle, I'm always armed.I read this book and thought But I've got lots and lots of books to go.I read this book and thought This is a solid four stars.I read this book and thought Everybody should read this book.I read this book and thought I did.

اگه قیامت و آخرالزمانی باشه، بدون شک تکرار نقاشی های بکسینسکی در عالم واقعیت خواهد بودنقاشی های سوررئال و کابوس وار که خیره شدن بهشون حسی ناگهانی ازافسردگی و مرگ و پایان دنیا رو به قلبتون پمپاژ می کنند.اسکلت..بیابان..خشکی..خرابه ها...نبود هیچ اثری از زندگی همه المان هایی هستند که به وفور در آثار بکسینسکی دیده می شوند\
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An absolutely amazing work. In the introduction, Becker sets out to answer the question "Why do people do what they do?" What follows, across 200 pages, is a remarkably well-constructed and well-written study on the development of selfhood and culture. Becker's work is truly interdisciplinary and draws on evolutionary biology, developmental psychology, anthropology, philosophy and literature. The book reveals the link between the organization of human societies and the vital, personal need for self-esteem: the feeling that one is valued, loved, and has a chance to be a hero in their narrative. The role of culture is to set up a system of rules for achieving this self-esteem and heroism. However, as Becker explores in the later chapters, problems arise these systems of self-esteem are frustrated, denied or no longer able to function. Overall, a very compelling study that should perhaps be read before "The Denial of Death."

Rear cover notes: "Soren Kierkegaard, the nineteenth-century Danish philosopher rediscovered in the twentieth century, is a major influence in contemporary philosophy, religion, and literature. He regarded Either/Or as the beginning of his authorship, although he had published two earlier works on Hans Christian Andersen and irony. The pseudonymous volumes of Either/Or are the writings of a young man (I) and of Judge William (II). The ironical young man's papers include a collection of sardonic aphorisms; essays on Mozart, modern drama, and boredom; and 'The Seducer's Diary.' The seeming miscellany is a reflective presentation of aspects of the 'either,' the esthetic view of life. Part II is an older friend's 'or,' the ethical life of integrated, authentic personhood, elaborated in discussions of personal becoming and of marriage. The resolution of the 'either/or' is left to the reader, for there is no Part III until the appearance of Stages on Life's Way. The poetic-reflective creations of a master stylist and imaginative impersonator, the two men write in distinctive ways appropriate to their respective positions."

If you're not familiar with how Hegel, Nietzsche and Marx are connected and how the ideological hegemony of the bourgeois era needs to be transcended before one can fully grasp the freedom of individual sovereignty and make the social revolution, you may not have a clue about what Bataille is working towards with INNER EXPERIENCE. My suggestion is to get a shaman to help you navigate a heavy psychedelic experience AFTER reading and fully grasping Marx's VALUE, PRICE AND PROFIT, Hegel's Introduction to THE HISTORY OF PHILOSOPHY and Nietzsche's THUS SPOKE ZARATHUSTRA. Otherwise, you can take my shortcut: http://www.youtube.com/watch?v=HNnkyt...Always keep in mind that Bataille was familiar with the Surrealist treatment and use of Freud's psychological insights and that he was living in Paris during heyday of the Popular Front, Stalinist domination of the ideological left.

Another one of my go-to books in addition to Jung's Lexicon by Daryl Sharp and Inner Work by Robert A. Johnson, which I've read two weeks ago.This book is an assortment of essays that elucidate and expand on Carl Jung's conception of the shadow, or the disowned self—repressed and therefore unconscious aspects of the psyche.The essays are extensive in scope, covering the personal shadow and its formation in the family, the archetypal Shadow (or simply, Evil), the shadow in literature and religion and spirituality, shadow eruptions in daily life (what the editors call Shadow-Boxing), psychosomatic implications of the shadow (where a favorite crossing of mine between Jung and Reich takes place), and methods to integrate and honor this Other/Sibling/Double in each of us. The book is probably the biggest (and maybe the best) collection on the shadow ever made.I've found my favorite contribution in James Hillman's "The Cure of the Shadow," in which he emphasizes the importance of loving and carrying our shadow outside the confines of the ego's ideals and ambitions—a useful addition to Jung's dictum that a strong differentiated ego is capable of relating with the shadow without being possessed by it."I use the term 'cure of the shadow' to emphasize the importance of love. If we approach ourselves to cure ourselves, putting 'me' in the center, it too often degenerates into the aim of curing the ego—getting stronger, better, growing in accord with the ego's goals, which are often mechanical copies of society's goals. But if we approach ourselves to cure those fixed intractable congenital weaknesses of stubbornness and blindness, of meanness and cruelty, of sham and pomp, we come up against the need for a new way of being altogether, in which the ego must serve and listen to and cooperate with a host of shadowy unpleasant figures and discover an ability to love even the least of these traits.Loving oneself is no easy matter just because it means loving all of oneself, including the shadow where one is inferior and socially so unacceptable. The care one gives this humiliating part is also the cure. More: as the cure depends on care, so does caring sometimes mean nothing more than carrying. The first essential in redemption of the shadow is the ability to carry it along with you ... Yet this carrying and caring cannot be programmatic, in order to develop, in order that the inferiority comply with the ego's goals, for this is hardly love."

It must strike us that after all the melancholic does not behave in quite the same way as a person who is crushed by remorse and self-reproach in a normal fashion. Feelings of shame in front of other people, which would more than anything characterize this latter condition are lacking in the melancholic, or at least they are not prominent in him. One might emphasize the presence in him of an almost opposite trait of insistent communicativeness which finds satisfaction in self-exposure -- quoted from Freud. I'm not sure how to go about writing this review. The above quote and all of the quotes below are taken from this book but are from other writers.This book is about suicide. It opens with the author's personal reminiscence of Sylvia Plath who he was somewhat of a friend of, and ends with the story of his own failed suicide attempt (which chronologically came before Plath's successful attempt). In between these two personal essays the book is split into two sections. The first, and shorter section looks at some misconceptions about suicide and a general way that society views the topic. The second section is a survey of sorts of the way that suicide has been seen in literature from the time of Dante through the 1960's. At the heart of this survey though is the question of what is it about roughly the start of Modernism that made suicide something of a plague among writers. Surprisingly before the 20th century not that many writers ended up killing themselves. There was the Romantics worship of death and the the Werther craze of of the early 19th century but as the century went on different forms of suicide started occurring in greater frequency among writers, Alvarez counts soft-suicide in with the real thing, the people who destroy their lives with deliberate choices and substances, who attempt to kill of part of themselves and keep on biologically living: people like Rimbaud and Baudelaire and Poe. But what was in a way sensational in the 19th century became something of a norm among writers in the 20th century (something meaning that it was more common than it had been in the past, many many writers navigate life to it's natural end, more than end up sadly ending it early). Kafka wrote to a friend:The books we need are the kind that act upon us like a misfortune, that make us suffer like the death of someone we love more than ourselves, that make us feel as through we were on the verge of suicide, or lost in a forest remote from all human habitation - a book should serve as the axe for the frozen sea within us.(Kafka is viewed by Alvarez as a failed suicide, he attempted to kill himself postmortem through the destruction of all his writing. Max Brod of course foiled the attempt.) Why do I want to read the books that Kafka describes? Why does he eloquently describe what I am looking for in literature most of the time? And who out there can write these books that Kafka says we need without putting themselves in danger? Of the world as it is one cannot be enough afraid. --AdornoTadeusz Borowski wrote possibly the bleakest first person account of being in Auschwitz. If you haven't read it and you want to have all hope in humanity sucked from you than should go pick up a copy of This way to the Gas, Ladies and Gentlemen. The book is a beautiful testament to the depravity of what humanity is capable of. After he finished the novel, he killed the writer in himself and devoted himself wholeheartedly in Stalinist politics until he gassed himself in his house when he was twenty seven. He held a mirror up for us to look at ourselves in and see that it wasn't just the Nazi's to blame, but all of us were capable of being complicit. That he himself could be engaged in a game of soccer while a prisoner and give no thought, like everyone else around him engaged in the game, to the thousands being exterminated in a building just behind them. If I had to imagine every death that every bomb and missile launched at every civilian in a war to protect my 'freedom' where would my head be at now. Can the human condition as it became in the 20th century be honestly faced without having that old Nietzschean problem with staring into the abyss for too long? And this doesn't even need to be political. Add to the list included in this book Deleuze and Debord. Look at the depraved amorality of Focault in his last years. I'm feeling bleaker writing about the book then when I was reading (secretively, I wouldn't tell anyone I was reading it, it never was on my currently reading list, it never got read outside of my apartment...) it. It's actually a fairly uplifting book to me, there is something affirming about it. You might find it depressing though.

When Carl Jung embarked on an extended self-exploration he called it his “confrontation with the unconscious,” the heart of it was The Red Book, a large, illuminated volume he created between 1914 and 1930. Here he developed his principle theories—of the archetypes, the collective unconscious, and the process of individuation—that transformed psychotherapy from a practice concerned with treatment of the sick into a means for higher development of the personality.  While Jung considered The Red Book to be his most important work, only a handful of people have ever seen it. Now, in a complete facsimile and translation, it is available to scholars and the general public. It is an astonishing example of calligraphy and art on a par with The Book of Kells and the illuminated manuscripts of William Blake. This publication of The Red Book is a watershed that will cast new light on the making of modern psychology.  212 color illustrations.

Psychopathology of Everyday Life, The Interpretation of Dreams, Three Contributions to the Theory of Sex, Wit and Its Relation to the Unconsious, Totem and Taboo and The History of the Psychoanalytic MovementThis classic edition of The Basic Writings of Sigmund Freud includes complete texts of six works that have profoundly influenced our understanding of human behavior.Psychopathology of Everyday Life is perhaps the most accessible of Freud's books. An intriguing introduction to psychoanalysis, it shows how subconscious motives underlie even the most ordinary mistakes we make in talking, walking and remembering.The Interpretation of Dreams records Freud's revolutionary inquiry into the meaning of dreams and the power of the unconscious.Three Contributions of the Theory of Sex is the seminal work in which Freud traces the development of sexual instinct in humans from infancy to maturity.Wit and Its Relation to the Unconcious expands on the theories Freud set forth in The Interpretation of Dreams. It demonstrates how all forms of humor attest to the fundamental orderliness of the human mind.Totem and Taboo extends Freud's analysis of the individual psyche to society and culture.The History of the Psychoanalytic Movement makes clear the ultimate incompatibility of Freud's ideas with those of his onetime followers Adler and Jung.The Basic Writings of Sigmund Freud is presented here in the translation by Dr. A. A. Brill, who for almost forty years was the standard bearer of Freudian theories in America.

The Ego and the Id ranks high among the works of Freud's later years. The heart of his concern is the ego, which he sees battling with three forces: the id, the super-ego, and the outside world.Of the various English translations of Freud's major works to appear in his lifetime, only one was authorized by Freud himself: The Standard Edition of the Complete Psychological Works of Sigmund Freud under the general editorship of James Strachey.Freud approved the overall editorial plan, specific renderings of key words and phrases, and the addition of valuable notes, from bibliographical and explanatory. Many of the translations were done by Strachey himself; the rest were prepared under his supervision. The result was to place the Standard Edition in a position of unquestioned supremacy over all other existing versions.

The late Carl Rogers, founder of the humanistic psychology movement, revolutionized psychotherapy with his concept of "client-centered therapy." His influence has spanned decades, but that influence has become so much a part of mainstream psychology that the ingenious nature of his work has almost been forgotten. A new introduction by Peter Kramer sheds light on the significance of Dr. Rogers's work today. New discoveries in the field of psychopharmacology, especially that of the antidepressant Prozac, have spawned a quick-fix drug revolution that has obscured the psychotherapeutic relationship. As the pendulum slowly swings back toward an appreciation of the therapeutic encounter, Dr. Rogers's "client-centered therapy" becomes particularly timely and important.

The People Under the Stairs is the story of a young boy (Fool) from the ghetto and takes place on his 13th birthday. In an attempted burglary (along with two others) of the home of his family's evil landlords, he becomes trapped inside their large suburban house and discovers the secret of the "children" that the insane brother and sister have been "rearing" under the stairs.

The Candyman moves on to New Orleans and starts his horrific murders once more. This time, his intended victim is a school teacher. Her father was killed by the Candyman, and brother wrongly accused of the murders

A boy preacher named Isaac goes to Gatlin, Nebraska and gets all the children to murder every adult in town. A young couple on a road trip stop in Gatlin to report a murder and seek help, but the town seems deserted. They are soon trapped in Gatlin with little chance of getting out alive.

When Kirsty's father, Larry, and stepmother, Julia, move into Larry's childhood home, Kirsty and her boyfriend take a room nearby. Unfortunately for all involved, Larry's house is already occupied: before the family's arrival, Larry's disreputable brother, Frank, used a supernatural puzzle box to summon a gang of other-dimensional demon sadists. Now, Frank requires a series of blood sacrifices to escape the clutches of Pinhead and the cenobites.

1987 horror film directed by Clive Barker

The greatest cultural accomplishments in history have never been the result of the brainstorms of marketing men, corporate focus groups, or any homogenized methods; they have always happened organically. More often than not, these manifestations have been the result of a few like-minded people coming together to create something new and original for no other purposethan a common love of doing it. In the 1990s, a loose-knit group of American artists and creators, many just out of their teens, began their careers in just such a way. Influenced by the popular underground youth subcultures of the day, such as skateboarding, graffiti, street fashion and independent music, artists like Shepard Fairey, Mark Gonzales, Spike Jonze, Margaret Kilgallen, Mike Mills, Barry McGee, Phil Frost, Chris Johanson, Harmony Korine, and Ed Templeton began to create art that reflected the lifestyles they led. Many had no formal training and almost no conception of the inner workings of the art world. They learned their crafts through practice, trial and error, and good old-fashioned innovation. Not since the Beat Generation have we seen a group of creative individuals with such a unified aesthetic sense and varied cultural facets. The world of art has been greatly affected by their accomplishments as have the worlds of fashion, music, literature, film, and, ironically, athletics. Over the years, the group has matured, and many have become more establishment-oriented; but no matter, their independent spirit has remained steadfast. The story of the Beautiful Losers will be a retrospective celebration of this spirit.

The film is a day in the life of a young artist, Jean Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into. He finally manages to sell his painting to a wealthy female admirer, but he's paid by check. Low on cash, he spends the evening wandering from club to club, looking for a beautiful girl he had met earlier, so he'll have a place to spend the night. Downtown 81 not only captures one of the most interesting and lively artists of the twentieth century as he is poised for fame, but it is a slice of life from one of the most exciting periods in American culture, with the emergence of new wave music, new painting, hip hop and graffiti.

Outside Austin, Texas, a 53-year-old man sits in an apartment with four radios, three televisions, two amps, a radio scanner, and an electric piano playing. At the same time. Loudly. He has three teeth, his hair is matted into one huge dreadlock, and he has a notarized document on his wall declaring himself an alien, "so whoever's putting shocks to my head will stop." Thirty years earlier, Roger Kynard "Roky" Erickson was a rock-and-roll icon: A manic singer who was Janis Joplin's primary influence, he fronted a band called the 13th Floor Elevators, considered by many to be the creators of psychedelic music. After a 1969 marijuana arrest, Erickson entered an insanity plea and was sent to the Rusk State Hospital, a medieval institution deep in the east Texas pineforests. He remained there for three years with the state's most violent mentally ill offenders, then reemerged a changed man: He sang about ghouls, zombies, and Satan, christened himself "the evil one," and declared himself an alien. At some point he stopped recording altogether and disappeared: "the great lost vocalist of rock and roll." For the past 12 years, Erickson has lived as a total recluse, shut in with his white noise and watching cartoons all day. He collects junk-mail by the stack. He only opens the door for his mother, Evelyn. Evelyn spends her days in their crumbling family home, abandoned by her other four sons and husband, doing yoga and reimagining her life through homemade films and "storyboards"--large planks of cardboard onto which she's pasted family photos and written out the story of their lives, "to convince myself that I'd been a good mother." Through them, she slowly charts the disintegration of their family. Her youngest son Sumner, the only family member to have escaped, has not returned home in ten years. He hears of his brother's situation and vows to persuade his mother to cede control of Roky in a "crusade to give his brother his life and music back." Upon his arrival, Roky and Evelyn's insular world slowly unravels.

2005 documentary film directed by Keven McAlester

Music critic Robert Palmer narrates the insightful story of Delta blues and North Mississippi hill country blues.

Documentary chronicaling the rise and fall of the punk movement with rare interview footage of Sid Vicious and Nancy Spungen. Also concert and news footage.

This documentary combines recent interviews and old footage to provide a comprehensive view of The Clash, one of the world's most influential rock bands. Footage from old club shows and stadium concerts is intercut with interviews with band members Mick Jones, Paul Simonon, Topper Headon, and Joe Strummer. The Clash began as rebellious punks eager to combine their influences: Simonon leaned towards reggae, and Jones leaned toward harder-edged British rock, while Strummer favored American R&B. Despite various fights and conflicts, The Clash emerged as "the only band that mattered," a punk rock band which ventured beyond punk to create a unique and unforgettable sound. WESTWAY TO THE WORLD documents their beginnings, their rise to stardom, and their collapse.

2000 documentary film directed by Don Letts

BEAUTIFUL NOISE is an in-depth exploration of a music movement in the late twentieth century, a fascinating period when some innovative musicians mixed guitar noise into conventional pop song structures while maintaining a philosophy of letting the music speak for itself. Although many of the people interviewed are notoriously press shy they have opened up about their music and experiences from over 20 years ago, how they defied the rules and became sonic innovators that have inspired so many.

2014 documentary film directed by Eric Green

The July 3rd, 1973 historic concert of the 'leper Messiah'. This was to be David Bowie's last concert with the Ziggy persona and the Spiders from Mars. A great medley of 'Wild Eyed Boy From Freecloud'/'All The Young Dudes'/'Oh! You Pretty Things', a Lou Reed cover, and a Rolling Stones cover are but some of the highlights.

After seeing D. W. Griffith's epic Intolerance, Denmark's greatest director, Carl Theodor Dreyer (The Passion of Joan of Arc, Vampyr), was inspired to make his own four-episode historical epic with each story told end to end, anthology-style, linked by theme to the others. The unifying character, Satan, attempts to win God's favor but is doomed to cheerless participation in dark episodes of human history: the temptation of Jesus, the Spanish Inquisition, the French Revolution and the Russo-Finnish war of 1918. Few directors resisted compromise and convention the way Dreyer did; fortunately, the Nordisk Film Company was artistically progressive by Hollywood standards and agreed that this should be a prestige film made to the highest standards. More than two years in production, Dreyer not only directed but also controlled every facet of this ambitious production.

Medea is in Corinth with Jason and their two young sons. King Kreon wants to reward Jason for his exploits: he gives the hand of his daughter, Glauce, to Jason as well as the promise of the throne. In exchange, Medea and the boys are to be banished. Jason explains that his actions ensure a rich future for Medea and her sons. She asks that she be allowed to stay; Kreon refuses. She asks for one more day, and begs Jason to seek the king's permission to allow their sons to stay in Corinth. Jason agrees and Medea prepares a gift for her sons to give to Glauce. Will Medea leave peacefully?

In 1890, Pontus, the starving writer, wanders the streets of Christiania, in search of love and a chance to get his work published. All he meets is defeat and suffering while his sense of reality is withering. One moment his is delighted and the next he curses everybody. All the time he manages to maintain human dignity and pride.

1966 Danish drama film directed by Henning Carlsen

Martin, , a respected doctor, his wife Karin, Karin's seventeen year old brother Minus, and widowed father David of Karin and Minus' have convened at the family's summer home on an island off the coast of Sweden to celebrate David's return from the Swiss Alps, where he was substantially completing his latest novel. The family has long lived a fantasy of they being a loving one, David's extended absences which are the cause of many of the family's problems. Without that parental guidance, Minus is at a confused and vulnerable stage of his life where he is a bundle of repressed emotions, most specifically concerning not feeling loved by his father and concerning the opposite sex. He is attracted to females as a collective but does not know how to handle blatant female sexuality, especially if it is directed his way. A month earlier Karin was released from a mental institution. Her doctor has told Martin that the likelihood that she will fully recover from her illness is low, her ultimate fate being that her mental state will disintegrate totally, although she has functioned well since her release. In his love for her, Martin has vowed to himself to see her through whatever she faces. As Karin begins to lose grip on reality, Minus is the one most directly affected, although it does bring out the issues all the men are facing with regard to their interrelationships.

An artist in crisis is haunted by nightmares from the past in Ingmar Bergman's only horror film, which takes place on a windy island. During "the hour of the wolf" - between midnight and dawn - he tells his wife about his most painful memories.

A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer. Alma eventually confesses her secrets to a seemingly sympathetic Elisabeth and finds that her own personality is being submerged into Elisabeth's persona.

With the exception of his elderly housekeeper Miss Agda who he treats almost like a surrogate platonic wife, widowed seventy-eight year old Dr. Isak Borg, a former medical doctor and professor, has retreated from any human contact, partly his own want but partly the decision of others who do not want to spend time with him because of his cold demeanor. He is traveling from his home in Stockholm to Lund to accept an honorary degree. Instead of flying as was the original plan, he decides to take the day long drive instead. Along for the ride is his daughter-in-law Marianne, who had been staying with him for the month but has now decided to go home. The many stops and encounters along the way make him reminisce about various parts of his life. Those stops which make him reminisce directly are at his childhood summer home, at the home of his equally emotionally cold mother, and at a gas station where the attendants praise him as a man for his work. But the lives of other people they encounter almost mirror his own, including hitchhikers Sara, Viktor and Anders - who remind him of his cousin Sara who he was going to marry, himself and his irresponsible brother Sigfrid who Sara eventually married - a bickering married couple Sten and Berit Alman, and Marianne and her husband and Isak's son Evald, whose marriage is as strained as was his own.

A Knight and his squire are home from the crusades. Black Death is sweeping their country. As they approach home, Death appears to the knight and tells him it is his time. The knight challenges Death to a chess game for his life. The Knight and Death play as the cultural turmoil envelopes the people around them as they try, in different ways, to deal with the upheaval the plague has caused.

French film director, screenwriter and producer

An all-cynical, all-evil absurdist variety show that parodies the classic educational PBS shows of the 1970s, made up of old cartoons and educational films, children, and puppets from one's worst nightmares.

"Nightmares and Dreamscapes: From the Stories of Stephen King" was a 2006 8 episode non-hosted anthology series on TNT based on short stories written by Stephen King. It debuted on 12 July 2006, and ended its run on 2 August 2006. Although most of them are from the collection of the same name, there are some stories from different collections by King. The series was an Australian/US production filmed entirely in Melbourne, Victoria, Australia.

Guillermo del Toro's Netflix horror anthology series "Cabinet of Curiosities" (originally titled "Guillermo del Toro Presents 10 After Midnight") has added F. Murray Abraham, Ben Barnes, Elpidia Carrillo, Essie Davis, Hannah Galway, Crispin Glover, Demetrius Grosse, David Hewlett, Andrew Lincoln, Tim Blake Nelson, Luke Roberts, Sebastian Roché, Glynn Turman and Peter Weller to its cast. The prolific Academy-Award-winning Mexican filmmaker behind "Pan's Labyrinth," "Hellboy," "The Shape of Water" and "Pacific Rim" will executive produce, co-showrun and direct the series - described as a curation of eight unprecedented and genre-defining sinister narratives meant to challenge traditional notions of horror, ranging from the macabre to magical, gothic to grotesque or classically creepy. Two of the eight tales are original works by del Toro.

Ratched is a suspenseful drama series that tells the origin story of asylum nurse Mildred Ratched. In 1947, Mildred arrives in Northern California to seek employment at a leading psychiatric hospital where new and unsettling experiments have begun on the human mind. On a clandestine mission, Mildred presents herself as the perfect image of what a dedicated nurse should be, but the wheels are always turning and as she begins to infiltrate the mental health care system and those within it, Mildred's stylish exterior belies a growing darkness that has long been smoldering within, revealing that true monsters are made, not born.

After the mass destruction caused by a manmade virus called "Captain Trips." A false messiah emerges, possessing incredible powers and hellbent to rule the remaining human society. It's up to a group of people to journey the post-apocalyptic wasteland to stop him and his army.

Each episode of this TV series depicts a short, strange tale...with a twist! With eerie stories vaguely reminiscent of 'The Twilight Zone,' viewers learn to appreciate that things are often not as they seem. The usual plot formula is comprised of an initial normal, mundane situation that gradually begins to get off-kilter, with suspense building up to the final, chilling, surprise conclusion.

A married couple moving into their dream home is being threatened by terrifying letters from a stalker, signed- "The Watcher".

A widow becomes the object of a dangerous stalker, obsessed with her husband's work.

The fictional Creepshow comic books come to life in this anthology series of terrifying tales hosted by the silent Creepshow ghoul.

A limited anthology series that explores terror in America. The first season, 1950s-set "Covenant" centers around a Black family who move from North Carolina to an all-white Los Angeles neighborhood during the period known as The Great Migration. The family's idyllic home becomes ground zero where malevolent forces, next door and otherworldly, threaten to taunt, ravage and destroy them.

2021 American horror drama anthology television series

Six strangers trying to survive the first 24 hours of an undead invasion.

An anthology series featuring updated tales of horror and haunting for the digital age, inspired by the viral fan fiction of two sentence horror stories.

American anthology horror television series

The past, present, and future lives of surviving Oceanic Flight 815 passengers are dramatically intertwined as a fight for survival ensues in a quest for answers after crashlanding on a mysterious island. Each discovery prompts yet more secrets, as the hastily-formed colony search for a way off the island, or is this their home?

Two FBI agents, Fox Mulder and Dana Scully work in an unassigned detail of the bureau called the X-Files investigating cases dealing with unexplained paranormal phenomena. Mulder, a true believer, and Scully, a skeptic, perceive their cases from stand points of science and the paranormal.

American science fiction drama television series

Tells the story of a psychopathic killer who drives a stolen Mercedes into a crowd and a recently retired detective who tries to bring him down.

2017 American crime drama television series

Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful 13 year old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victms - a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story - and survive this homecoming.

In 2012, Louisiana State Police Detectives Rust Cohle and Martin Hart are brought in to revisit a homicide case they worked in 1995. As the inquiry unfolds in present day through separate interrogations, the two former detectives narrate the story of their investigation, reopening unhealed wounds, and drawing into question their supposed solving of a bizarre ritualistic murder in 1995. The timelines braid and converge in 2012 as each man is pulled back into a world they believed they'd left behind. In learning about each other and their killer, it becomes clear that darkness lives on both sides of the law.

Disillusioned at the thought of taking down another "mark," depressed, low-level hit man Barry Berkman seeks a way out. When the Midwesterner reluctantly travels to Los Angeles to execute a hit on an actor who is bedding a mobster's wife, little does Barry know that the City of Angels may be his sanctuary. He follows his target into acting class and ends up instantly drawn to the community of eager hopefuls, especially dedicated student Sally, who becomes the object of his affection. While Barry wants to start a new life as an actor, his handler, Fuches, has other ideas, and the hit man's criminal past won't let him walk away so easily.

Jeff, aka Mr. Pickles, is an icon of children's television, a beacon of kindness and wisdom to America's impressionable young minds and the parents who grew up with him - who also anchors a multimillion-dollar branding empire. But when this beloved personality's family - wife, two sons, sister and father - begins to implode, Jeff finds no fairy tale or fable or puppet will guide him through the crisis, which advances faster than his means to cope. The result: a kind man in a cruel world faces a slow leak of sanity as hilarious as it is heartbreaking.

Sherlock Holmes and Dr. Watson investigate a scandal in Bohemia involving Irene Adler, chalk drawings of dancing men, the identity of a crooked man, a missing naval treaty, a solitary cyclist's mysterious follower, the dangers of a speckled band, and a blue carbuncle found in the crop of a goose.

1984 television series by Granada Television, starring Jeremy Brett, David Burke and Edward Hardwicke.

Discombobulated .

sarah a

Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature's hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.Frankenstein, an instant bestseller and an important ancestor of both the horror and science fiction genres, not only tells a terrifying story, but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation genetic engineering, and bio-terrorism, these questions are more relevant than ever.

The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.

I could say that I love Dick, but that would be weird. I do very much enjoy Philip K. Dick's writing and though this is not one of his best, the "Pizza and Sex Rule" applies to him; ie. just as even bad pizza and / or sex is still pretty good, bad PKD is as well. And this is not bad at all. The first mistake that a new reader would make is to watch Blade Runner and expect a novelization of that film; it was LOOSELY based upon the book. I'm a big fan of the Ridley Scott film starring Harrison Ford and Rutger Hauer, but the movie diverged from Phillip K. Dick's literature early on. The book is far more bleak than the film, if you can believe that, and much more intricate and complicated. Blade Runner benefits from a simplified storyline. The author was far ahead of his time both in the complexity of his story and the perspective from which he writes. There are elements of Brave New World, I, Robot, and Dune; but the author has a unique voice and the story is an original. It is not an excellent work, as there are gaps and inconsistencies and many loose ends that are never tied in, but the concept and provocation are superb.One element of the book that was completely left out of the film was a sub-plot involving a Christ-like messiah and a faith system based upon what could have been a hoax. First published in 1968, this was one of his more theological based novels, and a trend that would continue steadily becoming more frequent and invasive until the end of his writing.A MUST read for PKD fans as well as SF/F fans period.

The Pulitzer Prize-winning epic of the Great Depression, a book that galvanized—and sometimes outraged—millions of readers.First published in 1939, Steinbeck’s Pulitzer Prize-winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads—driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s powerful landmark novel is perhaps the most American of American Classics.

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book

Engineers Aaron, Abe, Robert and Phillip are working on an invention, the prototype being built in Aaron's garage. This project is beyond their day jobs. The project truly does belong to Aaron and Abe, as they use all their free time working on it, primarily trying to overcome the many engineering related problems they've encountered. It is during one of his tests with the invention running that Abe discovers that a protein inside the main unit has multiplied much more rapidly than it could in nature. Rather than the invention being a protein super incubator, Abe, using himself as a guinea pig, and a very meticulous one at that, discovers that the invention can be used as a time machine. In his self experiment, Abe was especially careful not to interfere with his own self in that time warp. Abe passes along this discovery to Aaron, who he expects will tell his wife Kara in what is the sanctity of their marriage, but he doesn't want to tell either Robert or Phillip. Much to Abe's surprise, Aaron does not want to tell Kara, it being a sole intellectual property of just the two of them, in the process moving the base of operation to a locked storage unit. Aaron's plan for the two of them is to use the invention to win big in the stock market by knowing through the time travel what has happened in the market. With two thoughts on the matter now instead of just one, Aaron and Abe may hit some logistical and philosophical roadblocks in how to move forward.

2004 American science fiction drama film directed by Shane Carruth

What's Eating Gibert Grape is a beautifully shot movie of tenderness, caring and self-awareness that is set amongst the fictional working class one street town Endora. Centred around the Grape family Ellen and Amy and their two brothers Arnie and Gilbert, who, along with their morbidly obese widowed mother Bonnie Grape are striving to survive and coexist with the absence of a father figure, low wage work and seventeen-year-old Arnie's severe mental condition. It is in this awkward and extremely one sided affair that the unfortunate Gilbert has to constantly, while working for the town's slowly dying convenience store, take care of his younger brother Arnie. Gilbert's life, his future, is thwarted he knows this, but it is in this guardian angel that his love and bond for Arnie cannot, and will not, be let go. That is until the free spirit of Becky arrives in town, and with her grandmother are stranded for the week while waiting for parts for their vehicle. This realization unties new feelings, new thoughts and new hope for the put upon Gibert, something new is eating Gilbert Grape.

Follows a group of high school students growing up in southern California, based on the real-life adventures chronicled by Cameron Crowe. Stacy Hamilton and Mark Ratner are looking for a love interest, and are helped along by their older classmates, Linda Barrett and Mike Damone, respectively. The center of the film is held by Jeff Spicoli, a perpetually stoned surfer dude who faces off with the resolute Mr. Hand, who is convinced that everyone is on dope.

Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a hare-brained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry. With the help of their pathetic neighbor and pal Bob, Anthony and Dignan pull a job and hit the road, where Anthony finds love with motel maid Inez. When our boys finally hook up with Mr. Henry, the ensuing escapade turns out to be far from what anyone expected.

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